Wogscreed: To Give
Malicious Amusement to His Cronies v.2n.2
A loud and cantankerous din
had suspended
what then wogs regard as
their industry refers
equivalently to two other
terms therewithin coined
rigorous debate between
winkers and twitchers
whether or not there had been
intent to motion
if burlesque, perceived
burlesque, or parodies
or of a total view of life
were evidenced
as a storehouse of pooled
learning or abstraction
such that when riotous
discord focused between
apples being apples or
oranges orange
when proclaiming on thus
profundity procured
operationalism long since
rejected
by others its atavistic
display quantified
whereupon long discarded
theories wogs thrived.
Unknowingly kept to its
faithful premise null
encapsulation in wogland
persevered such ills
what was relegated to false
starts among the wise
when inchoate a field later
confessed its harms,
deficits and debts upon the
cultures, there thrived
amidst the rare de-selection
of traits was shunned
what wogs amidst their lot
savagery admired
As it was of little
consequence or value
Wogs interpret “Le Penseur”
as twitch as gesture
Neverdowells of thought or
reflection’s grandeur
Aggrandized to substantial
reflex integers
As to their Grand Idees which
nothing still had wrought
Despite great energy toward
ethnics rendition
driven to false confessions
in false environs
yet proved it worthy of such
raw ingredients
becoming of a homeland of
reliquaries
to the creed’s own
operational motto:
til forever until there is no
love no more. [1]
[1]
Culture, this acted document, thus is public, like a burlesqued wink or a mock
sheep raid.
This Sonnet is a Fictional Work. Any perceived, apparent, or implied relationship to entities or persons is coincidental.